The excellent Icelandic horror mystery I Remember You was a tough watch. Not because there was gore or extreme violence. In fact it’s quite a beautiful looking film. But because in the story, there was a whole bunch of heartbreak showing through the pragmatic, Nordic stoicism of the characters.
I’m delighted to be able to watch these horror movies from lands and cultures I know very little about. For Malaysia, Netflix was able to offer me Munafik 2. I have not seen Munafik 1, alas, but I still caught the gist of this entertainingly over-the-top religious rant. In fact, a quick Google reveals that “munafik” defines hypocrite, or someone that professes to believe in Allah but truly doesn’t.
Trying to get my hands on as much horror from African nations as I could, I saw the Egyptian film Warda on Netflix and proceeded to watch it. This movie shares in a trend I’ve been noting in other supernatural horror films from predominantly Muslim nations: using the language of major American horror movies (particularly the Conjuring and Paranormal Activity franchises) to present both conflicts and reinforcement of faith. The ones I have watched ranged from good to awful. I’m glad to report that Warda falls on the better spectrum of that range.
Enjoy these two bits of delightful creepery from Tunisia, the country that has brought you Tattooine among other famed cinematic settings!
The lovely folks at The United Nations of Horror produce great things, including a very entertaining podcast on horror cinema. You should follow them and listen to their every word. When I informed them on their Facebook page (a fun and very welcoming horror fan community) that Around the World in 31 Days would be my theme for this year’s Halloween blog project, they were quick to suggest Austrian film Angst. And here I am to take us through this stark, ugly, realist beast.
It’s official: James Wan’s Conjuringverse has set its stamp on global horror cinema. A lot of the foreign horror films coming across my streaming platforms are taking the formula of haunted abodes, nuclear family, demonic evil and resolution by faith, and placing it within their own cultural context. At least that’s how it seems to me; hopefully I’m wrong and there’s a wealth of horror cinema telling all kinds of different stories.
To my highly-limited knowledge horror movies from Pakistan are rare, and I was happy to checkout Pari, currently streaming on Netflix.