
Screenshot from The Curse of Frankenstein, 1957 (source: Wikimedia commons)
I settled on a theme for my 31 Days of Halloween blogging project, and it will revolve around a classic monster and one hell of a novel.
I don’t know what kind of place Frankenstein has in modern horror movements (it does have a very important one) but at the dawn of horror cinema and Gothic literature, the man and the monster were there. The novel’s transcendent ideas have seeped into all kinds of fictions, possibly more than we can imagine.
I’m going to take a dive on this blog (not a terribly deep one), but I’ll start with some basic, 9th grade English class research – a Google of all kinds of thematic guides to help you write papers.




October 12, 2017 – As I’ve chronicled on a prior version of this blog, satanic panic is de rigeur in recent horror cinema. From the possession and exorcism genre revived by The Exorcism of Emily Rose to retro satanic cult thrillers like House of the Devil. From the franchising of Ed & Lorraine Warren’s infamous devil-busting “true stories” to the conflation of witchcraft with devil-worship (Lords of Salem, The VVitch). From flirtations with affirming the 1980s moral panic of Satanic Ritual Abuse (HBO’s True Detective) to challenging it (Regression).
October 11, 2017 – This will be a short one, and please be warned that there are heavy SPOILERS for Exorcist The Series. Season 2 has already begun airing on Fox. I started an “Exorcist Retrospective” on this blog and I’ll take this opportunity of the 31 Days of Halloween to catch up by covering last year’s Season 1.
October 9, 2017 – If all goes well, what I write below (plus some sort of introduction and minus the more spoilery parts) I’ll submit in a sound file to Gary Hill of Legion Podcasts, who has requested short horror reviews for his October 2017 project. Check out