REPOST: William Peter Blatty’s “Legion” to Hit the Stage!

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[NOTE: Welcome to Chillerpop’s 31 Days of Halloween 2020! As if this year needed more inconceivable horror! It doesn’t, but maybe some nostalgia and escapism will help? Yes, nostalgia for…an economic crisis. This blog, you see, began in the midst of the subprime mortgage crisis of 2008.

This month, mostly because I am lazy, I will repost some blogs from my original Open Salon page. These posts will be badly written, badly edited, and extremely out of date.]

Originally published MARCH 15, 2010 11:38PM

MARCH 15, 2010 11:38PM

William Peter Blatty’s “Legion” to Hit the Stage!


Chicago’s WildClaw Theatre is adapting Willliam Peter Blatty’s novel “Legion”, the basis for his 1990 film “Exorcist III” as a stage play.  I think this is an excellent opportunity to keep a purer vision of the source material in the face of audience and studio expectations of what a horror film should be.

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Five Modern Exorcism Films to Watch

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source: https://rowman.com/ISBN/9781498519090/Possessed-Women-Haunted-States-Cultural-Tensions-in-Exorcism-Cinema

October 13, 2017 – When I first stumbled onto the blog It’s Playing, But With Research, I was jealous. Jealous! With envy as green as the pea soup streaming out of Regan’s mouth! Academics CarrieLynn D. Reinhard and Christopher J. Olson not only studied exorcism cinema for a living, but they compiled a comprehensive list movies featuring an exorcism (the list is continually revised).

What?! Someone has watched more exorcism cinema than me?? Impossible – I wasn’t having it! So I went on a bender thanks to their list, and we began a correspondence that ended with me having a credit on their book Possessed Women, Haunted States. What a lovely honor. I urge you to read the book (which analyzes the tropes of exorcism cinema and puts them in sociological context), check out their blog and listen to their podcast, Pop Culture Lens. Continue reading

Pazuzu, Kokumo, Ooo I Wanna Take You: The Chillerpop Exorcist Retrospective, Part 2

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“Once the wings have brushed you, is there no hope?”

I love Exorcist II: The Heretic.

There, I said it. It’s liberating. I have voiced the most shameful secret any horror fan could harbor. I and others like me can now march in the streets with our locust flags flying high, in pride.

I adore this loony, insane, beautiful mess. And a mess it is. Universally reviled, considered one of the biggest turkeys in cinema, Heretic holds up for me as an unintentional comedy and as a weird, original, meta-philosophical bit of art house cinema. It is the perfect example of the 1970’s excesses of visionary egomaniacs with relative carte blanche to make vanity masterpieces, or disasters.

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