Nuts-N-Bolts-N-Hos

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Don’t you just love saying “Frankenhooker?”

I may possibly have watched Frankenhooker on a certain online video platform where it probably shouldn’t be running. I watched it with Spanish subtitles. The Spanish title was just as elegant and flowing as “Frankenhooker”, if even more shocking and vulgar: “Frankenputa.”

The VHS box cover for Frankenhooker used to be on display at the video store near my college. It had a button you could press and one of those electronic voices you find on very expensive greeting cards, very manly, would exclaim “Wanna Date?” It would make me burst into hysterical laughter for no good reason.
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The Bride’s Bloody Revolt

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I expected Showtime’s Penny Dreadful to be an overwrought, edgy attempt at League of Extraordinary Gentlemen (the film adaptation, not the comic book series by Alan Moore, which cannot be outdone in ‘edginess’). I expected to see a team of classic Victorian characters fighting crime, and some standard twists, turns and whatnots.

I was wrong. Penny Dreadful is a complicated, high gothic horror thrill ride with a mix of classic public domain characters and original characters, brought to life by amazing actors. Eva Green as Vanessa Ives is an absolute revelation, she should be an icon. And Timothy Dalton should play every last Victorian occult researcher/protector of mankind. Continue reading

Fritz’s Found Footage Frankies

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Frankenstein’s Army

Year Released: 2013
Directed By: Richard Raaphorst
Written By: Richard Raaphorst, Miguel Tejada-Flores, Chris W, Mitchell,
Notable Cast: Karel Roden, Joshua Sasse, Robert Gwilym, Alexander Mercury, Luke Newberry, Hon Ping Tang, Andrei Zayats, Mark Stevenson, Klaus Lucas, Cristina Catalina, Jan de Lukowicz, Zdenek Barinka
Plot: Toward the end of World War II, Russian soldiers pushing into eastern Germany stumble across a secret Nazi lab, one that has unearthed and begun experimenting with the journal of one Dr. Victor Frankenstein. The scientists have used the legendary Frankenstein’s work to assemble an army of super-soldiers stitched together from the body parts of their fallen comrades — a desperate Hitler’s last ghastly ploy to escape defeat. – SOURCE: imdb.com “Production”

Commentary: Frankenstein’s Army is a delightful oddity of steampunk carnage, and a baffling one, too. Taking place during the end of World War II, and following a troop of Soviet soldiers, the filmmakers decided to use the found footage format to tell the story. Continue reading

Over at the Frankenstein Place (Reprise)

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Last night I attended a production of the Rocky Horror Show, Richard O’Brien’s stage musical later turned into the infamous cult sensation, at Salt Lake Community College’s Grand Theater. Overall, a job well done!

Production and cast:

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Don’t Dream It, Victor

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There’s not much I can add to illuminate what’s known and what’s loved about Richard O’Brien’s The Rocky Horror Picture Show. I’m pretty sure that if you are reading this, you know this movie and its music all too well.

Maybe I can offer this: Dr. Frankenfurter is the fabulous ultimate expression of Mary Shelley’s Victor Frankenstein. Where one is an odious, cowardly mass of 19th century anxieties and weak egotism, the other’s rampant self-centeredness is perfect and glorious. Both scientists create their own downfalls, but only one does it with heels and fishnets, and with a lack of remorse that’s honest and goddamn decadent. Continue reading

Your Weekend Frankenstein, Oct 13-14: The Public Domains of Horror!

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This weekend, enjoy the very first film adaptation of Frankenstein ever made! This 1910 short was discovered in the mid-1970’s, is twelve minutes long, and I like it a lot. I especially enjoyed the creepy, phantasmagoric creation sequence of the monster around the four-minute mark. And the monster itself is more nightmarish than the bolts-and-stitches model engineered by Universal Studios two decades later.
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You Best Believe I’m in Love, L-U-V

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Silvia Hoeks as Luv, Blade Runner 2049

Blade Runner 2049

I think the Blade Runner series fits quite well in the canon of fiction inspired by Mary Shelley’s Frankenstein, even if Philip K. Dick’s mind wandered elsewhere.

Human beings with god complexes creating biological, artificial lives and being horrible parents? Alienated and angry offspring suffering and murdering for their parents’ sins? It was all there when Rutger Hauer’s Roy kissed his creator on the lips. Continue reading