Am I Perfection? (The Chillerpop Exorcist Retrospective, Part 5)

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Perhaps not, but you’re fascinating and worthy of the Exorcist legacy. Continue reading

Pink Pazuzus: The Chillerpop Exorcist Restrospective, Part 4

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“The possessed person looked and acted just like Linda Blair – in ‘Repossessed'” – Ain’t It Cool News

We’re on the day of the premiere of The Exorcist TV series on Fox (I’m frustrated that I can’t currently access it).  And as I figure out how to view it, I continue my retrospective of The Exorcist series with what I consider to be the true shame of the franchise- Exorcist: The Beginning.

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Wonderfull Lives: The Chillerpop Exorcist Retrospective, Part 3

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Plot summary: “Lt. Kinderman and Father Dyer cheer each other up on the anniversary of the death of their mutual friend, Father Damien Karras, by going to see “It’s a Wonderful Life” at the local theater in Georgetown, near Washington D.C. But there’s no cheering Kinderman while a particularly cruel and gruesome serial killer is at large. His murders, which involve torture, decapitation and the desecration of religious icons, is bad enough; but they also resemble those of the Gemini Killer, who has been dead for fifteen years. (SOURCE: IMDB.COM andWritten by J. Spurlin)

 

In this Washington Post article, William Peter Blatty, director of “Exorcist III and author of the novel it’s based on, “Legion,” makes a few salient claims, one of which is that he “hates horror movies.”

That’s all well and good, but he directed two of the most curdling, shocking horror movie scenes I have ever seen in my life.

In the film’s opening scene , a Catholic confessional is used to stage a nightmarish murder.  One where you hear a croaking, teasing infantile voice chuckle as its owner is about to commit something unspeakable.  You only see the violent aftermath later, but that image pales in comparison to what comes before, where you see nothing but are left unnerved beyond belief. Continue reading

“31” (Chillerpop at Sundance 2016)

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Written and directed by Rob Zombie. Starring Sheri Moon Zombie, Jeff Daniel Phillips, Richard Brake, Meg Foster, Lawrence Wilton-Jacobs, Judy Geeson, Malcolm McDowell, Jane Carr, E.G. Daily.

(WARNING: MAJOR SPOILERS FOLLOW)

Plot: It’s Halloween, 1976, and a group of skeevy carnies are driving their van through the desert. After encountering a sinister roadblock and a gang of masked kidnapper-murderers, they awaken to find themselves in 31, a sadistic kill-or-be-killed game that pits its victims against inventively gruesome psychopathic clowns with motifs like ‘Sick-Head’, ‘Sex-Head’ and more.

 

Like the majority of his work, Rob Zombie’s “31” is an unrelentingly brutal Impressionist white trash nightmare. Meant to be an adrenaline-fueled gorefest, it’s actually haunting and thought provoking once you process it. Maybe it shares themes with other films about death games and gladiatorial combat, but it’s spiritual parent is definitely “The Texas Chainsaw Massacre.”

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Pazuzu, Kokumo, Ooo I Wanna Take You: The Chillerpop Exorcist Retrospective, Part 2

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“Once the wings have brushed you, is there no hope?”

I love Exorcist II: The Heretic.

There, I said it. It’s liberating. I have voiced the most shameful secret any horror fan could harbor. I and others like me can now march in the streets with our locust flags flying high, in pride.

I adore this loony, insane, beautiful mess. And a mess it is. Universally reviled, considered one of the biggest turkeys in cinema, Heretic holds up for me as an unintentional comedy and as a weird, original, meta-philosophical bit of art house cinema. It is the perfect example of the 1970’s excesses of visionary egomaniacs with relative carte blanche to make vanity masterpieces, or disasters.

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Do They Show Horror Movies in Heaven?

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Yesterday, we lost Wes Craven, a pioneer and icon of the horror genre.  There isn’t much I can add about the man’s considerable legacy and his signature work, Nightmare on Elm Street, though some might argue Scream was his crowning achievement.  Elm Street and its surrounding mythology was inventive, original and changed the face of horror cinema forever.  His creation Freddy Krueger, the maniacal, sometimes comical dream demon of the series, is the Elvis of horror movie monsters.

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The Chillerpop Exorcist Retrospective

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It’s been a rather possessed August.  When personal misery overwhelms, a supernatural/horror obsession is something of an anodyne.  Don’t ask me why.

I’ve been reviewing criticism of ‘The Exorcist’ and its sequels, reading interview after interview with William Peter Blatty, Linda Blair, William Friedkin and others involved in the most amazing and frightening film ever made.

And you know what?  Many fine minds are weighing in – from this excellent podcast, to this academic who, to my delight, is providing analysis and criticism on the recent wave of exorcism themed films.  I wrote a lot about this recent wave of films when this blog was on Open Salon.

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A Short Intro. Plus: Vampyr (1932)

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Hello readers!

This blog is what it is. A place for me to spew thoughts, reviews and analysis on horror movies, and more besides. I previously ran this blog on the now defunct Open Salon, starting in 2010, and I had a great time. I even managed to save my work from there into a blogspot. From time to time I’ll dust off old posts.

I’m going through some hardship now which is preventing me from posting regularly, but I hope to pick it back up.

In the meantime, please enjoy the beautiful, gothic, expressionistic horror film ‘Vampyr’.